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ARTWORK OF THE WEEK

The Rainbow: Certain Principles of Light and Shapes Between Forms (2012)
Michael Jones McKean

Michael Jones McKean’s project creates a simple, but phenomenal visual event — a rainbow in the sky. The public artwork produces temporary rainbows above the Bemis Center for Contemporary Arts in Omaha, Nebraska, utilizing solely captured rainwater. Throughout the project cycle, collected and recaptured rain water is filtered and stored in water tanks. Within the gallery, a custom designed pump supplies pressurized water to nozzles mounted to the roof of the Bemis Center. At timed intervals, in the morning and early evening, a dense water-wall is projected above the building in which the rainbow emerges.

More at Bemis Centre

Posted 8 months ago — 12 notes
  • The Rainbow: Certain Principles of Light and Shapes Between Forms
  • artwork of the week
  • bemis centre
  • calgary
  • daily photo
  • michael jones mckean
  • nebraska
  • omaha
  • public art
  • rain water
  • rainbow
  • sans facon
  • uep
  • watershed
  • watershed plus
  • watershed+
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This visual blog presents images and projects related to the WATERSHED+ art program. WATERSHED+ is a public art program hosted by City of Calgary's department of Utilities and Environment Protection.
WATERSHED+ aims to develop awareness and pleasure in the environment, not by changing water management practice, nor developing a uniform visual language, but rather by creating a climate of opportunity for water initiatives to build an emotional connection between people and the watershed.
WATERSHED+ presents a unique approach to public art by embedding artists and artistic practices within UEP core activities, participating as members on infrastructure design teams, contributing to project design, development of events, community education, etc.

You can visit us at: watershedplus.ca

This program was devised by Sans façon (Charles Blanc & Tristan Surtees) with a team composed of Matt Baker, Emlyn Firth, Yan Olivares of Yes Architectes, Eric Laurier and Bert van Duin.

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